On January 15, the cultural project Artery, in collaboration with Bacab Hotel, inaugurated BRUTTO, a new exhibition by Argentine artist Fausto Tezza, in Tulum. The opening took place yesterday and marked the public presentation of a body of work developed locally and shown within the Artery gallery space at the hotel.

The inauguration was held in the format of a private preview for collectors and media representatives, after which the exhibition space opened to the general public. During the evening, Tezza presented a documentary video that outlined the process and conceptual foundations behind the BRUTTO series. Organizers reported attendance of more than 100 visitors, including collectors, cultural professionals, and journalists.

Private preview sets the tone for public opening

The initial preview allowed invited guests to engage with the works in a closed setting before public access began. This structure reflects Artery’s model of positioning exhibitions as meeting points between artists, collectors, and the cultural sector, while maintaining accessibility beyond professional circles.

Following the preview, the gallery opened its doors to the public later the same evening. The transition underscored the project’s intention to balance curatorial focus with openness. The documentary screening served as a contextual anchor, offering insight into the artist’s working methods without directing interpretation of the finished pieces.

Fausto Tezza Presents BRUTTO at Bacab Hotel Cultural Space - Photo 1

BRUTTO and an ethics of material

BRUTTO is a new series by Tezza that explores tensions between the raw and the processed, the heavy and the reflective. The project engages with brutalism not as a visual language but as an ethical position, emphasizing material honesty, transparency of process, and acceptance of resistance within the act of making.

Rather than referencing architectural brutalism through form, the series draws from its underlying principles. The works highlight physical substance and visible traces of production, aligning with contemporary practices that prioritize process over finish. In this sense, BRUTTO positions material not as a neutral medium but as an active participant in the work.

Fausto Tezza Presents BRUTTO at Bacab Hotel Cultural Space - Photo 2

Tulum as a point of departure

The series was developed in Tulum, a context that directly informed its conceptual and visual framework. According to the project description, Tulum is a place where construction and nature coexist closely, with concrete forming part of the everyday landscape.

This environment provided the foundation for the exhibition’s language. Concrete, often associated with weight and permanence, is presented not as an abstract reference but as a familiar material embedded in daily life. The works reflect this condition without framing it as a contradiction, instead treating coexistence as a defining feature of the local setting.

Fausto Tezza Presents BRUTTO at Bacab Hotel Cultural Space - Photo 3

The Artery exhibition space

BRUTTO is presented at Artery, the cultural space located within Bacab Hotel. The gallery offers a contained but publicly accessible environment, positioning contemporary art within a space that is part of the city’s daily circulation rather than a standalone institution.

The exhibition will remain open to the public until the end of January. Visitors can view the works during the venue’s regular hours, according to information provided by the organizers.

Artery’s cultural initiative

Artery is a cultural initiative developed by Bacab Hotel with the aim of supporting the artistic scene in Tulum. The project operates as an open platform for dialogue among artists, collectors, and the local community, integrating contemporary art into everyday contexts and supporting independent creators through exhibitions and public formats.

This approach reflects a broader trend in the city toward hybrid spaces that combine hospitality, cultural programming, and community engagement. Rather than functioning solely as a gallery, Artery positions itself as a site of exchange.

Fausto Tezza Presents BRUTTO at Bacab Hotel Cultural Space - Photo 4

Attendance and early reception

Yesterday’s opening drew more than 100 attendees, including members of the press and professionals from the cultural sector. While no commercial outcomes were disclosed, the event functioned primarily as a presentation of the project and an opportunity for direct interaction between the artist and the audience.

The mix of invited guests and public visitors highlights the dual focus of the initiative. It also indicates continued interest in projects developed locally and presented within non-traditional exhibition settings.

Fausto Tezza Presents BRUTTO at Bacab Hotel Cultural Space - Photo 5

Position within contemporary practice

BRUTTO aligns with contemporary artistic practices that emphasize site-specific development and material engagement. By grounding the series in Tulum and framing brutalism as an ethical stance, the exhibition engages with broader questions about production, context, and authorship.

The project avoids stylistic categorization, instead focusing on conditions of making. This approach situates the work within ongoing discussions about how artists respond to their immediate environments.

Fausto Tezza Presents BRUTTO at Bacab Hotel Cultural Space - Photo 6

Exhibition access and relevance

The exhibition remains open until the end of January at the Artery space inside Bacab Hotel. Additional information about Artery and its programming is available through its official channels.

As Tulum continues to evolve as a site of cultural production, exhibitions like BRUTTO illustrate how artists are responding to the city’s built and natural environments. For The Tulum Times, yesterday’s opening underscores the role of locally rooted initiatives in shaping the area’s contemporary art scene and raises questions about how such platforms will develop as interest grows.

We’d love to hear your thoughts. Join the conversation on The Tulum Times’ social media.
How do you think exhibitions developed in Tulum influence the direction of its contemporary art scene?